SUPERCRASHER: COPY OF ZERO


Brown’s text-based paintings and mixed-media pieces are idiosyncratic personal and cultural commentaries on the interaction of the visual, the linguistic and the iconic. He SUPERCRASHES fragments of text, sentences, imploding statements, dynamic thought, caustic words, modern logos, cliches, scribbles, colour fields, shapes and lines to dislocate, obscure or pulverize common understanding or beliefs. He plays in his own graphic and literary world filled with colour-saturated imagery and multi-layered signs – all made on a hard surface 4 feet wide x 5 feet high.

Responding to and engaging in a plethora of his own images and found images, he applies his understanding of the complex transactions of representation in the making of art. With the collision of word, picture, shape and line [an agitated step-child of his commercial design work] he has evolved a unique signature – sometimes tripping over the echoes of other signatures – that reverberates in the forever-evolving visual languages of our time.

His unique, singular work, is iconic. Ironic. Often humourous. And sometimes dour.
But always – Terribly, Terribly, True.

COZ.

 

 

DeLEON WHITE GALLERY
Queen + Dovercourt, Toronto

Malcolm Brown
3 YEARS of GOD & GOO

July 22 to August 21 2004
33 paintings, 48″ x 60″, acrylic, oil, house paint and graphite on wood.
21 selected works here



TAAFI [Toronto Alternative Art Fair International]


THE DRAKE HOTEL 2004 – First artist to exhibit in the lobby of the hotel.


MOCCA [Museum of Contemporary Canadian Art]

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